Overview
Super-bright, 1500nit, 5-inch touchscreen display. All codecs preloaded – Apple ProRes/ProRes RAW, Avid DNx, H.265/H.264 and NDI 6 HX3 TX & RX. Capture up to 6Kp30 RAW to CFexpress Type B or USB-C media. 2 x USB-C ports, plus one for power. Camera control and touch to focus on supported cameras. Over-the-air firmware upgrades. Cooler, quieter operation. HDMI & Wi-Fi 6E input and output. Locking cable adaptors included (HDMI & USB-C). Powered by USB-C, NP-F battery or AC adaptor. Tally light.
Ninja TX GO combines HDMI I/O, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, camera control and touch to focus. It features built-in camera-to-cloud, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. Ideal for content creators with HDMI DSLRs and mirrorless cameras.
Included in box
Ninja TX GO monitor-recorder
USB-C locking cable adaptor
HDMI locking cable adaptor
2x Wi-Fi antenna
5x antenna tips (black, white, yellow, green, red)
2x antenna caps
USB-C locking cable (45cm)
Quick Start Guide.
About the Atomos Ninja TX GO
Ninja TX GO includes HDMI input and output, up to 6Kp30 Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools. It features built-in camera-to-cloud with free ATOMOSphere membership, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. No other monitor-recorder packs so much performance and compatibility into such a compact, connected device.
* Camera Control & Touch to Focus is coming soon via an over the air firmware upgrade
Preloaded Codecs
Ninja TX GO comes with preloaded codecs: Apple ProRes/RAW up to 6Kp30, Avid DNx, H.265/H.264 and NDI 6 HX3 TX & RX
Display
5.2″ IPS touchscreen, with increased brightness to 1500nits – perfect for clear, precise and vivid monitoring in any setting, from the outdoors in sunlight, to a studio. The 8/10-bit color processing, HDR support, Rec. 709 color gamut, and calibration support ensure accurate and defined color and high-quality monitoring.
New Operating System & Build
Powered by the lightning-fast AtomOS Linux operating with user-friendly UX and a full suite of professional monitoring tools, and a re-engineered build providing a quieter, cooler and more efficient operation.
Wireless Features and Camera to Cloud
Ninja TX GO camera monitor & recorder comes with connectivity built-in, including, camera-to-cloud with free ATOMOSphere membership, NDI 6 streaming and full integration into an NDI network,
Ninja TX GO is also the leader in Camera to Cloud (C2C) workflows – allowing you to upload your video files directly from your Atomos monitor-recorder to the cloud. Atomos supports direct progressive upload to ATOMOSphere (with a free 20GB starter storage plan), as well as Adobe Frame.io and Dropbox.
The wireless capabilities also provide ‘over the air’ (OTA) firmware updates, for a quick and convenient way to keep the OS current.
Comprehensive Color and Metadata
The Ninja TX supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.
HDMI Input/Output
HDMI input supports 6K video up to 30 fps, up to 4K60, and up to 1080p120. Loop-through passes the incoming HDMI signal from the camera to another device, for example, an external monitor, wireless transmitter, or live streaming encoder. Via the HDMI input, you can record raw metadata such as white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, and gamut
Recording & Media Options
The Ninja TX now includes a CFexpress Type B slot and dual USB-C recording outputs supporting fast data transfer to external USB media. The optionality is designed for scalability and futureproofing. In addition to recording directly to storage, the USB-C ports can also be used for calibration, custom 3D LUT uploads, adding audio devices.
Professional Monitoring Tools
The Ninja TX offers a n expansive suite of easy to use, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, false color (including ARRI and EL Zone), frame guides, SMPTE safe areas, grid markers, waveforms, RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also provides anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups.
Power Options
An L-series battery on the back of the Ninja TX supports NP-F L-series batteries. Alternatively, a battery eliminator can be used to provide DC power to the monitor, or a USB-C port supports 30W PD power delivery with the included cable.
Dimensions (W x H x D mm) 151mm x 92mm x 36mm
Weight 400gms
Mount points 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom
Environmental
Ambient operating temperature Up to 40 degrees Celsius
Construction
Body Aluminium with ABS plastic
Cooling Actively controlled fan and heat sink
Power
Input voltage 6.2V to 16.8V DC
Operating power Up to 30W
Multi-function button Power / lock screen
Continuous power Via NP-F battery or USB-C PD Power
DC in connector Via Battery Eliminator (optional)
DTAP Up to 13W
USB PD IN 45W capable, power supply required
USB PD OUT Up to 13W
Display
Size 5.2-inch
Resolution 1920 x 1080
Backlight Type Edge lit
Brightness (cdm2 / Nits) 1500
Aspect ratio 16:9
Color Gamut Rec.709
Calibration support Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable
Color Pipeline
Gamma Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 /
LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 /
LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12,
FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Gamut BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 /
Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut.
JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube format
3D LUT Down Stream Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR Output Conversion Log / HDR to HLG / PQ
Video Input
HDMI 1 x HDMI (2.0) up to 6Kp30
Locking port Optional
Wi-Fi Wi-Fi 6E
USB 2 x USB-C 2.0/3.0
Bit Depth 8/10-bit video
Video Chroma Subsampling 4:2:2
Video Output
HDMI 1 x HDMI (2.0) up to 6Kp30
Locking port Optional
Wi-Fi Wi-Fi 6E
USB 2 x USB-C 2.0/3.0
Bit Depth 8/10-bit video
Video Chroma Subsampling 4:2:2
Metadata
HDMI RAW – white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut
Network
Wi-Fi Wi-Fi 6E
USB 2 x USB-C 2.0/3.0
Connectivity
Bluetooth No
LANC Yes
Audio In/Out
HDMI 8-channel, 24-bit
Analogue Audio Line In 3.5mm headphone jack, 2-channel input
Headphone Out 3.5mm headphone jack, 2-channel
Timecode
Embedded HDMI
Time of day Yes
Reference / Genlock input No
LTC No
Wireless AirGlu RF Server and Client No
Wireless AirGlu BT Server No
Resolution & Frame Rates (Record, Monitor & Playback)
RAW Up to 6Kp30
4K DCI 23.98/24/25/29.9/30/50/59.94/60p
4K UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2048 x 1080 Yes
1080p 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080 PsF Converted to P and looped out PsF
1080i 50/59.94/60i
720p 50/59.94/60p
Supported Media
CF Express Atomos certified CF Express type B media
USB Atomos certified USB 3.0 media
File System ExFAT
Codecs
Apple ProRes RAW ProRes RAW, ProRes RAW HQ
Apple ProRes LT, 422, 422 HQ
Avid DNxHD DNxHD 220x, 220, 145, 36
Avid DNxHR LB, SQ, HQ, HQX
H.265 LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
Playback
Playlist Yes – create customer playlists from full or sub-clips
Loop Yes – with user-customizable in/out markers
Apple ProRes RAW Yes – recorded clips
Apple ProRes Yes – with linear PCM audio
Avid DNx Yes – with linear PCM audio
H.265 Yes
Recording
Pre-roll ProRes, DNxHD only
Timelapse Yes
Simultaneous Proxy Record Yes
On-screen Monitoring Tools
Waveform 3 sizes – adjustable opacity & brightness
RGB parade 3 sizes – adjustable opacity & brightness
Vectorscope 2 sizes – adjustable opacity & brightness
1 x Zoom Yes. 1:1 pixel mapping for 4K
2 x Zoom Yes
Focus peaking Colour selected / threshold setting / colour / mono / edges only
Atomos False Color Yes, with scale
ARRI False Color Yes
EL ZONE Yes
Zebra Yes, adjustable
Isolate color channel Blue only
Cine Frame Guides Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides Presets for 9:16, 1:1, 191:1, 4:5
Onion Skin Yes
Safe areas Action and graphic
Grid markers 9 grid
Anamorphic desqueeze 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Flip Vertical only
Onboard Signal Processing
Pulldown removal 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD downscale for HD Loop out – 4K UHD to HD
DCI Crop Loop out – 17:9 to 16:9 crop
Remote Control
HDMI Auto HDMI trigger, supported protocols – Canon, Sony, Atomos
Serial 2.5mm Jack Calibration via optional USB to serial cable
AirGlu BT No
AirGlu RF No
Camera to Cloud
ATOMOSphere Direct progressive upload supported (20GB free storage)
Adobe Frame.io Direct progressive upload supported (separate subscription service)
Dropbox Direct progressive upload supported (separate subscription service)
Warranty
Standard 1 year. Extended to 2 years on product registration.
Super-bright, 1500nit, 5-inch touchscreen display
All codecs preloaded – Apple ProRes/ProRes RAW, Avid DNx, H.265/H.264 and NDI 6 HX3 TX & RX
Capture up to 6Kp30 RAW to CFexpress Type B or USB-C media
2 x USB-C ports, plus one for power
Camera control and touch to foucs on supported cameras
Over-the-air firmware upgrades
Cooler, quieter operation
HDMI & Wi-Fi 6E input and output
Locking cable adaptors included (HDMI & USB-C)
Powered by USB-C, NP-F battery or AC adaptor
Tally light
