Overview
The Canon EOS C50 features a 7K Full Frame CMOS sensor, 32MP still image capture up to 40fps, and 15+ stops dynamic range with Dual Base ISO. It also offers 4:2:2 10-bit XF-HEVC S, XF-AVC S, and XF-AVC recording, as well as 5-axis electronic image stabilization and CFexpress Type B & UHS II SD card slots.
Positioned as a bridge between the EOS / PowerShot V Series and the Cinema EOS line-up, the EOS C50 is Canons smallest and lightest professional cinema camera yet. It offers cinematic 7K Full Frame capture, Open Gate RAW recording, and the power of the RF mount system, making it a versatile option for content creators seeking advanced video capabilities.
Summary
Dynamic Range: 15+ Stops
Lens Mount: Canon RF
Recording Formats:
Cinema RAW Light
Cinema RAW Light LT
XF-AVC
Internal ND: No
Audio Inputs:
3.5mm Stereo
XLR
Battery Mount / Type: Canon LP
Media Type:
CFexpress Type B
SD
Sensor: CMOS
Video Outputs: HDMI Type A
Weight: 0-2kg
Wi-Fi: Yes
Included in box
Included in box
1x EOS C50 Body
1x Shoe Cover
1x Camera Cover R-F-5
1x Handle Unit
1x Microphone Holder Unit
1x Screw for Microphone Holder Unit (M4)
1x Battery Charger LC-E6E
1x AC Cable EU
1x Battery Pack LP-E6P
1x Battery Pack Cover
1x SS-1200 Shoulder Strap
1x Printed Matter Unit
1x Packaging
About the Canon EOS C50 Cinema Camera
The Canon EOS C50 is built for creators who work under pressure, engineered for professionals who do it all, whether solo or within a lean crew. From interviews to socials, weddings to independent film making, this camera earns its place on every job. This is Canon’s smallest and lightest professional cinema camera yet, opening a world of cinematic possibilities.
The EOS C50 packs a 7K Full Frame sensor with Open Gate RAW recording, 32MP stills, professional I/O and modular handle. The EOS C50 is positioned as a bridge between the EOS / PowerShot V Series and the Cinema EOS line-up, offering a versatile option for content creators seeking more advanced video capabilities without stepping fully into high-end cinema gear. It is the fifth RF-mount Cinema EOS camera and sits between the EOS R5 C and EOS C70 in Canon’s video line-up. Notably, it is also the second Hybrid Cinema EOS camera, blending the portability and flexibility of mirrorless with the pro-level features of Canon’s Cinema EOS system
Cinematic 7K Full Frame Capture
Shoot stunning 7K with Canon’s Full Frame CMOS sensor, Dual Base ISO (800/6400), and 15+ stops of dynamic range. Capture 32MP stills at 40fps with ISO up to 64,000 and enjoy oversampled 4K with rich, organic colour reproduction.
Open the Gate for Maximum Flexibility
Unleash your vision with Open Gate 12-bit RAW at 6960×4640 in 3:2. Shoot widescreen, vertical, or anamorphic in stunning detail. Switch easily between Full Frame, Super 35mm, and Super 16mm modes.
Harness the Power of the RF mount
Unlock RF mount speed, power and versatility with prime, zoom, hybrid and cinema lenses. Enjoy premium optics, real-time metadata, fast AF/IS, and seamless PL/EF lens integration via Canon mount adapters.
Sharp. Fast. Reliable.
Enjoy ultra-responsive autofocus with enhanced face, eye, and animal tracking across 100% of the sensor with Dual Pixel CMOS AF II. Plus, EOS iTR AF X, Detect Only, Focus Guide, and custom speed settings keep you sharp and ready.
Capture More with High Frame Rates
Shoot scalable 12-bit Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p and oversampled 4K 10-bit XF-AVC (MXF) and XF-AVC S/XF-HEVC S (MP4). CFexpress Type B and UHS-II SD card slots enable proxy and multi-format recording for fast, flexible workflows.
Connect like a Pro
The EOS C50 packs pro connectivity: full HDMI, timecode, mic and headphone jacks, USB-C, plus a detachable handle with 2x XLRs. Built-in Wi-Fi and USB-C enable real-time IP streaming, UVC/UAC output, remote control, and Multi-Function Shoe for direct power to compatible accessories.
Sleek, Ultra-Compact Ergonomics
The EOS C50 is Canon’s lightest, most compact Cinema EOS camera, featuring a detachable XLR top handle, 3″ articulating touchscreen, active cooling, 14 assignable buttons, zoom rockers, tally lamp, and multiple mounts – perfect for handheld, gimbals, and drones.
Engineered for Live Multi-Cam Action
Unlock full control with Canon XC Protocol accessories and apps like RC-IP1000 and Multi-Camera Control. Oversee multi-camera studios effortlessly with timecode sync, and adjust settings / shading across Cinema EOS, PTZ, and XF Series cameras in real time.
Future-Ready for VFX, Virtual & VR Workflows
The EOS C50 powers real-time lens metadata supporting virtual production and VFX, fully compatible with Unreal Engine and After Effects. Plus, pair it with Canon’s RF 5.2mm Dual Fisheye lens to capture jaw-dropping stereoscopic 180° VR.
Open Gate recording
Open Gate is a method that captures video using the entire area of a camera’s image sensor, rather than cropping full frame lenses to standard aspect ratios like 16:9 or 17:9. By utilising the full sensor height and width – often in formats like 3:2 or 4:3 – Open Gate maximizes resolution and image data. For example, a full-frame sensor might deliver a full 7K image at 6960×4640 using Open Gate, whereas a traditional 17:9 DCI aspect ratio would reduce the height of the image to 6960×3672.
The key advantage of Open Gate is flexibility. It provides more room in post-production for reframing, stabilisation, and high-resolution delivery across multiple formats. This is especially valuable for creators delivering to both cinematic and social platforms, allowing for simultaneous 16:9, 9:16, or even square aspect ratios from a single source. In addition, utilising the full height of the sensor also benefits anamorphic shooting by capturing a larger cinematic field of view.
IMAGE SENSOR
Sensor 3:2 Full Frame CMOS sensor (35.9 x 23.9mm)
System RGB primary colour filter (Bayer array)
Sensor Modes Full Frame 3:2 / Full Frame / Super 35mm (Crop) / Super 16mm (Crop)
Total Pixels Approx. 34.20 megapixels
Effective Pixels Video Mode Approx. 32.373 megapixels (6968 x 4646)
When resolution is 6960 x 4640 or 6912 x 4608
Approx. 25.628 megapixels (6968 x 3678):
When resolution is 6960 x 3672, 4096 x 2160, or 2048 x 1080
Approx. 24.032 megapixels (6534 x 3678):
When resolution is 3840 x 2160 or 1920 x 1080
Photo Mode Approx. 32.3 megapixels (6960 x 4640)
Effective Sensor Screen Size Full Frame 3:2
35.9 x 23.9 mm (43.2 mm on the diagonal):
When resolution is 6960 x 4640
35.7 x 23.8 mm (42.9 mm on the diagonal):
When resolution is 6912 x 4608
Effective Pixels Full Frame 35.9 x 18.9 mm (40.6 mm on the diagonal)
When resolution is 6960 x 3672, 4096 x 2160, or 2048 x 1080
33.6 x 18.9 mm (38.6 mm on the diagonal):
When resolution is 3840 x 2160 or 1920 x 1080
Dynamic Range Full Frame
Canon Log 2: 1600% / 15+ stops (at ISO 800)
Super 35mm
Canon Log 2: 1600% / 16 stops (at ISO 800)
Base ISO: 800 / 6400*
*when shooting in RAW or Canon Log 2/3
SYSTEM
Display Type 3.0-inch LCD Touch Panel
Display Resolution approx. 1.62 million dots (900xRGBx600)
Display Touch Screen Functions Focus Point Selection
Touch Screen UI for Shooting Settings
OSD for Vertical Shooting Yes
Wave Form Monitor Yes (Line / Line + Spot / RGB Parade / YPrPb Parade)
False Colour Display (Exposure Indication) Yes (6 Colour Index)
Colour Bars SMPTE / EBU / ARIB
Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
Zebra Level 1; Level 2; Both
Markers On/Off selectable: centre, horizontal / vertical,
grid, aspect, safe area and user marker. Colour selectable
EVF
Built-In EVF No
IMAGE PROCESSOR
Type DIGIC DV7
LENS
Lens Mount Canon RF mount
PL mount support via PL-RF Mount Adapter
EF mount support via EF-EOS R Mount Adapter
Lens Magnification Factor Full Frame 3:2;
6960×4640: Actual focal length x Approx. 1.00
Full Frame;
6960×3672, 4096×2160 or 2048×1080: Actual
focal length x Approx. 1.06
3840×2160 or 1920×1080: Actual focal length x Approx.1.12
Super 35mm (Crop);
5036×2656, 4096×2160 or 2048×1080: Actual
focal length x Approx.1.47
3840×2160 or 1920×1080: Actual focal length x Approx.1.54
Super 16mm (Crop);
2524×1332 or 2048×1080: Actual focal length x Approx.2.92
1920×1080: Actual focal length x Approx.3.08
Digital Lens Correction Peripheral Illumination Correction
Chromatic Aberration Correction
Diffraction Correction
Distortion Correction (RF lenses only)
Focus Breathing Correction (Supported RF lenses only)
ND Filter No
Iris Control 1/2-stop, 1/3-stop or FINE control
Auto Iris
Cooke /i Technology Support Only when equipped with Mount Adapter PL-RF
Anamorphic Lens Support x2.0 / x1.8 / x1.5 / x1.3
Image Stabilization System 5-Axis Combination IS (Optical and Digital)
with supported lenses
Digital 5-Axis IS for Non-IS lenses
RECORDING
Internal Recording Media 1x CFexpress 2.0 (Type-B)
1x SD Card (SD / SDHC / SDXC)
Recording Time Cinema RAW Light LT:
FF 3:2 6960 x 4640 976 Mbps approx. 65 Mins
FF 6960 x 3672 773 Mbps: approx. 81 Mins
Cinema RAW Light ST:
FF 3:2 6960 x 4640 1510 Mbps approx. 42 Mins
FF 6960 x 3672 1190 Mbps: approx. 55 Mins
Cinema RAW Light HQ:
FF 6960 x 3672 2420 Mbps: approx. 26 Mins
XF-AVC:
FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins
XF-AVC S:
FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins
XF-HEVC S:
FF 3:2 6912 x 4608 1350 Mbps: approx. 50 Mins
FF 4096 x 2160 or 3840 x 2160 135 Mbps: approx. 505 Mins
Recording Formats Video Mode
Cinema RAW Light (CRM) / XF-AVC (MXF) / XF-AVC
S (MP4) / XF-HEVC S (MP4)
Photo Mode RAW / C-RAW / Dual Pixel RAW / HEIF / JPEG
Relay Recording Yes
Double Slot (Simultaneous) Recording Yes
Simultaneous Recording in Multiple Formats Yes
System Frequency / Frame Rates 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
50.00Hz mode (50.00P / 50.00i / 25.00P)
24.00 Hz mode (24.00P)
Cinema RAW Light Bit Rate/Bit Depth (PAL)
12-bit Cinema RAW Light LT
FF 3:2 / 6960 x 4640 / 25P [976 Mbps]
FF / 6960 x 3672 / 50P [1550 Mbps]
FF / 6960 x 3672 / 25P [773 Mbps]
S35 / 5036 x 2656 / 50P [811 Mbps]
S35 / 5036 x 2656 / 25P [406 Mbps]
S16 / 2524 x 1332 / 50P [206 Mbps]
S16 / 2524 x 1332 / 25P [103 Mbps]
12-bit Cinema RAW Light ST
FF 3:2 / 6960 x 4640 / 25P [1510 Mbps]
FF / 6960 x 3672 / 50P [2380 Mbps]
FF / 6960 x 3672 / 25P [1190 Mbps]
S35 / 5036 x 2656 / 50P [1250 Mbps]
S35 / 5036 x 2656 / 25P [624 Mbps]
S16 / 2524 x 1332 / 50P [316 Mbps]
S16 / 2524 x 1332 / 25P [158 Mbps]
12-bit Cinema RAW Light HQ
FF / 6960 x 3672 / 25P [2420 Mbps]
S35 / 5036 x 2656 / 25P [1270 Mbps]
S16 / 2524 x 1332 / 50P [642 Mbps]
S16 / 2524 x 1332 / 25P [321 Mbps]
XF-AVC Recording Bit Rate/ Sampling (PAL / MXF)
4:2:2 10-bit (Intra-frame)
4096×2160 or 3840×2160 / 50P [1000 / 750 / 500 Mbps]
4096×2160 or 3840×2160 / 25P [500 / 375 / 250 Mbps]
2048×1080 or 1920×1080 / 50P [250 Mbps]
2048×1080 or 1920×1080 / 25P [150 Mbps]
1920×1080 / 50i [125 Mbps]
4:2:2 10-bit (Long GOP)
4096×2160 or 3840×2160 / 50P [250 Mbps]
4096×2160 or 3840×2160 / 25P [150 Mbps]
2048×1080 or 1920×1080 / 50P [50 Mbps]
2048×1080 or 1920×1080 / 25P [50 Mbps]
1920×1080 / 50i [50 / 25 Mbps]
XF-AVC S Recording Bit Rate / Sampling (PAL / MP4)
4:2:2 10-bit (Intra-frame)
4096×2160 or 3840×2160 / 50P [1000 / 750 / 500 Mbps]
4096×2160 or 3840×2160 / 25P [500 / 375 / 250 Mbps]
2048×1080 or 1920×1080 / 50P [250 Mbps]
2048×1080 or 1920×1080 / 25P [150 Mbps]
4:2:2 10-bit (Long GOP)
4096×2160 or 3840×2160 / 50P [250 Mbps]
4096×2160 or 3840×2160 / 25P [150 Mbps]
2048×1080 or 1920×1080 / 50P [50 Mbps]
2048×1080 or 1920×1080 / 25P [50 Mbps]
4:2:0 8-bit (Long GOP)
4096×2160 or 3840×2160 / 50P [150 Mbps]
4096×2160 or 3840×2160 / 25P [100 Mbps]
2048×1080 or 1920×1080 / 50P [35 Mbps]
2048×1080 or 1920×1080 / 25P [35 Mbps]
XF-HEVC S Recording Bit Rate / Sampling (PAL / MP4)
4:2:2 10-bit (Intra-frame)
6912×4608 / 25P [1350 / 900 Mbps]
4:2:2 10-bit (Long GOP)
6912×4608 / 25P [486 Mbps]
4096×2160 or 3840×2160 / 50P [225 Mbps]
4096×2160 or 3840×2160 / 25P [135 Mbps]
2048×1080 or 1920×1080 / 50P [50 Mbps]
2048×1080 or 1920×1080 / 25P [50 Mbps]
4:2:0 10-bit (Long GOP)
4096×2160 or 3840×2160 / 50P [150 Mbps]
4096×2160 or 3840×2160 / 25P [100 Mbps]
2048×1080 or 1920×1080 / 50P [35 Mbps]
2048×1080 or 1920×1080 / 25P [35 Mbps]
Proxy Recording Bit Rate/ Sampling (PAL)
4:2:0 8-bit (Long GOP)
2048×1080 or 1920×1080 [35 / 16 / 9 Mbps]
1280 x 720 [6 Mbps]
4:2:0 10-bit (Long GOP)
2048×1080 or 1920×1080 [16 / 9 Mbps]
Slow/Fast Motion 7K 3:2 RAW: up to 30FPS
7K 17:9 RAW: up to 60FPS
5K RAW (S35 Crop): up to 60FPS
2.5K RAW (S16 Crop): up to 150FPS
4K recording up to 120FPS
2K recording up to 180FPS
Interval Record Yes
Frame Record Yes
Pre Record (Cache Record) 3 Seconds
Continuous Recording Yes
Simultaneous Crop
Recording 1080 x 1920 or 1080 x 1080
Digital Tele-converter 1.5x, 2x, 2.5x, 3x, Digital Zoom, Of f
Photo Recording Size 3:2 ratio
(L, RAW, C-RAW) 6960×4640, (M) 4800×3200,
(S1) 3472×2320, (S2) 2400×1600
1.6x (crop)
(L, RAW, C-RAW) 4320×2880, (S2) 2400×1600
4:3 ratio
(L) 6160×4640, (M) 4256×3200, (S1) 3072×2320,
(S2) 2112×1600
16:9 ratio
(L) 6960×3904, (M) 4800×2688, (S1) 3472×1952,
(S2) 2400×1344
1:1 ratio
(L) 4640×4640, (M) 3200×3200, (S1) 2320×2320,
(S2) 1600×1600
INPUTS / OUTPUTS
Audio In 2x XLR 3-pin jack (Handle Unit)
1x 3.5 mm stereo mini jack
Built in Stereo microphones on camera body
Headphone Output 1x 3.5mm stereo mini jack
Video Monitor Output No
HDMI 1x HDMI (Type-A)
USB 1x USB-C Data Terminal (USB3.2 Gen2)
SDI Output No
Time Code 1x DIN1.0/2.3 (Input / Output)
Genlock No
Sync No
Multi-Accessory Shoe Yes (via camera body)
DC Input Yes, via DR-E6P / DR-E6C DC Coupler
Remote Control Terminal 1x E3 2.5mm remote jack
Lens Terminal No
Ethernet Terminal No, requires a compatible USB-C Ethernet Adapter
IP Streaming IP Streaming via Network connection
9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i)
UDP / RTP / SRT / RTP+FEC / RTSP+RTP
UVC Output USB Video Class Support
2048×1080 / 1920×1080 / 1620×1080
(depending on recording resolution)
25P / 30P / 50P / 60P
UAC Output USB Audio Class Support
Linear PCM (16-bit / 48 kHz, 2 channels)
User LUT Input Yes, in-built LUTs available for monitoring.
Custom LUTs can be applied directly to
internal recordings via Look File function
(compatible with 17 or 33 grid .cube files)
Tally Signal Yes, via Network using XC Protocol
Return Signal Input No
Default Function Button Settings
1. AF-ON
2. MAGN.
3. MENU
4. DISP
5. PUSH AUTO IRIS
6. (unassigned)
7. REC
8. LOCK
9. PEAKING
10. WFM
11. FUNC
12. AF LOCK
13. REC
14. (unassigned)
User Assignable Buttons 14x Assignable Buttons
MISCELLANEOUS
Tally Lamp Yes, 2x (body) 1x (top handle)
Zoom Rocker Yes, Optical and Digital Zoom
Custom Dial Yes, 3x
Software Application Support Cinema RAW Development
XF Utility
RAW Plugin for Avid Media Access
RAW Plugin for Final Cut Pro
XF Plugin for Avid Media Access
Remote Camera Control Application
Multi-Camera Management Application
EOS VR Utility
EOS VR Plugin for Adobe Premiere Pro
CV Metadata Plugin for Adobe After Effects
Live Link Plugin for Unreal Engine
CV Metadata Extraction Tool
MP4 Join Tool
HEVC Activator
Smartphone Application Support Canon Multi-Camera Control
Content Transfer Professional
Browser Remote Control
EXPOSURE
Exposure Metering Video Mode
Standard, Backlight, Spot light
Photo Mode
Evaluative, Partial, Spot, Cent re weighted average
Exposure Compensation Yes
Auto Exposure Mode Yes (Video mode: Auto Iris / ISO)
Push Auto Iris Yes
Exposure Lock Yes
Auto Gain Control Setting Yes
ISO Sensitivity Video Mode
ISO 100 to ISO 25,600 / 102,400* (increments of 1 or 1/3 stop)
* When the sensitivity is expanded
Photo Mode
ISO 100 to ISO 51,200 / 102,400* (increments of 1 or 1/3 stop)
* When the sensitivity is expanded
* All values available when Base ISO is set to Automatic
Auto Focus System Dual Pixel CMOS AF II
AF Frame Sizes Full: approx. 100% (Vert ical) x approx. 100%
(Horizontal)
Small Zone: Video display range approx.
14.7% (Vertical) x 12.2% (Horizontal)
Flexible Zone 1: Video display range
approx. 38% (Vertical) x 26% (Horizontal)
Flexible Zone 2: Video display range
approx. 85% (Vertical) x 26% (Horizontal)
Flexible Zone 2: Video display range
approx. 38% (Vertical) x 77% (Horizontal)
Auto Focus Modes Continuous AF / One-Shot AF
Face Detection AF Yes (Eye / Face / Head / Body)
Animal Detection AF Video Mode
Dogs / Cats / Birds
Photo Mode
Dogs / Cats / Birds / Horses / Motorsports /
Aircrafts / Trains
Focus Guide Yes, with compatible Canon lenses
Gain Setting ‘-6dB* , -3dB* , -2dB* *～48dB, 51dB*, 54dB*
*when ISO Extended Range is set to ON
**when ISO Extended Range is set to OFF
*All values available when Base ISO is set to Automatic
SHUTTER
Control Modes Video Mode
Off ; Speed; Angle; Clear Scan; Slow
Photo Mode
Electronic
Shutter Speed Video Mode
1 sec to 1/2000 (1/3 or 1/4 stop increments), 47 options
Photo Mode
30 sec to 1/8000 (1 stop increments)
15 sec to 1/16000 (1 stop increments)
Bulb (Total shutter speed range. Available
range varies by shooting mode)
Shutter Angle 11.25º to 360º
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan approx. 24 Hz～2000 Hz depending on frame rate
CUSTOM PICTURE
Stored Configurations Video Mode C1: Canon 709
C2: Canon Log 2
C3: Canon Log 3
C4: BT.709 Wide DR
C5: BT.709 Standard
C6: PQ
C7: HLG
C8: EOS Standard
C9: EOS Neutral
C10: User10 ～User20
HDR-HLG Profile BT.2100: Corresponds to ITU-R BT.2100
Vivid: Corresponds to Tradit ional Colour in
ITU-R BT.2390
Colour Matrix Neutral: Accurate colour reproduction
Production Camera: Colour reproduction for use in movie production
Video: Colour reproduction with contrast for TV broadcasts
Image Adjustment Parameters Master Pedestal
Master Black
Black Gamma
Low Key Saturation
Knee
Sharpness
Noise Reduction
Skin Detail
Colour Matrix Tuning
White Balance
Colour Correction
WI-FI & GPS SPECIFICATIONS
Wi-Fi In-built (2.4 / 5GHz bands)
Supporting 802.11a/b/g/n/ac
GPS Information (Optional Accessory) Only when equipped with GP-E2 GPS Receiver
WHITE BALANCE
Auto Yes
Preset Video Mode
Daylight (5600K), Tungsten (3200K), Kelvin
(2000K-15000K, 100K or 5-mired increments),
Set A, Set B
Photo Mode
AWB, Daylight, Shade, Cloudy, Tungsten,
Fluorescent, Flash, Manual, Colour Temp (100K increments)
White Balance Shift Video Mode
-20CC～+20CC
Photo Mode
-9 to +9 (Blue/Amber)
-9 to +9 (Magenta/Green)
TIME CODE
Count Up System Regen / RecRun / Free Run / External
AUDIO
Recording Format RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels)
XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48
kHz, 4 channels) or MPEG2-AAC LC (16-bit 48kHz) 2 channels
ACCESSORIES
Supplied Handle Unit
LP-E6P Battery Pack
Battery Charger LC-E6E
Microphone Holder
Shoulder Strap
AC Cable
Optional DR-E6P DC Coupler
DR-E6C DC Coupler + AC Adapter CA-946
PD-E1* / PD-E2 USB Power Adapter
BG-R20 Battery Grip
PL-RF Mount Adapter
EF-EOS R Mount Adapter
EF-EOS R Control Ring Mount Adapter
EF-EOS R Drop-In Filter Mount Adapter
EF-EOS R 0.71x Mount Adapter
RC-IP100 Remote Camera Controller
RC-IP1000 Remote Camera Controller
DM-E1D Multi-Function Shoe Directional
Stereo Microphone
DM-E1 Directional Stereo Microphone
BR-E1 Wireless Remote Control
RS-80E3 / RS-60E3 / RS-80N3* * Remote Switch
GP-E2 GPS Receiver
OC-E4A Off-Camera Shoe Cord
IFC-100U / IFC-400U Interface Cable
*PD-E1 Limited to charging only in video mode
**RA-E3 Remote Controller Adapter required to connect
RS-80N3
Third Party Accessories Tascam CA-XLR2d XLR Microphone Adapter
POWER SOURCE
Power Supply (Battery) LP-E6P Battery Pack (Supplied)
LP-E6NH* Battery Pack (Optional)
*Some functionality such as Network communication, LCD
Luminance boost, HDR Assist, and lens functionality may
become limited when using LP-E6NH battery packs instead of LP-E6P
Power supply (Mains) DR-E6P DC Coupler
DR-E6C DC Coupler + AC Adapter CA-946
USB-C Power Adapter PD-E2
PHYSICAL SPECIFICATIONS
Dimensions (Main Body Only) Approx. 142 x 88 x 95 mm
Weight (Body Only) Approx. 670g
Weight (Accessories) Handle unit: approx. 300g
Microphone holder + 2 screws: approx. 60g
LP-E6P Battery Pack: approx. 82g
LC-E6 Battery Charger: approx. 110g
LC-E6E Battery Charger: approx. 100g
Operating Temperature Range Approx. 0 to 40°C, (85% relative humidity)
Approx. -5 to 45°C, (60% relative humidity)
7K Full Fame CMOS Sensor
3:2 Open Gate Internal 12-bit RAW Recording
32MP Still Image Capture up to 40fps
15+ Stops DR with Dual Base ISO (800 / 6400)
RF Mount System (Adaptable to PL / EF Mount)
Dual Pixel CMOS AF II with EOS iTR AF X
7K 60P / 4K 120P / 2K 180P
4:2:2 10-bit XF-HEVC S, XF-AVC S, and XF-AVC
5-Axis Electronic Image Stabilisation
CFexpress Type B & UHS II SD card slots
Professional I/O Incl. Timecode, 2x XLR
Ultra-Compact with Detachable Top Handle
