Overview
With a maximum brightness of 1500 nits, this monitor offers extremely sharp image rendering and 100% Rec. 709 colour gamut coverage via the 10-bit panel. The 22-bit colour fidelity v2 chip ensures accurate colour reproduction, making it ideal for professional use. The monitor also provides a wide range of built-in layouts for displaying multiple images at once, allowing for optimal use of screen space both horizontally and vertically.
The monitor features a rotatable VESA mount, allowing for horizontal or vertical installation on a C-stand. It can pass through the displayed image in Full HD via HDMI and SDI outputs, and each input can have its own specific LUT applied for uniform brightness and colour output. With features such as flexible multi-cam layouts, instant rotate VESA mount, and teamwide monitoring capabilities, this monitor is designed to maximise on-set efficiency and provide uncompromising clarity for daylight monitoring.
Summary
Screen Size: 21.5 Inch
Resolution: 1920 x 1080
Aspect Ratio: 16:9
Inputs:
HDMI
SDI
Outputs:
HDMI
SDI
Included in box
1x Mega 22S4
1x Dedicated foam for Pelican 1600
1x Sun hood
1x Battery plate (V/AB)
1x VESA adapter
1x Cheese plate
About the Osee Mega 22S4 Multi-View Production Monitor
To display multiple images at once, the monitor offers a wide range of built-in layouts that make optimal use of the available screen space, both horizontally and vertically. For example, when showing three instead of four images, rotating the monitor vertically provides 27% more screen area.
The supplied VESA mount is rotatable, allowing you to mount the monitor horizontally or vertically on a C-stand and easily rotate it during use.
The monitor can also pass through the displayed image in Full HD via both HDMI and SDI outputs to other monitors. This means you can view the four simultaneous feeds via an HDMI transmitter or a second monitor.
Each input can also have its own specific LUT applied, ensuring uniform brightness and colour output even when using different cameras.
Flexible Multi-Cam Layout
1-4 Camera Monitoring
Landscape and Portrait Shooting
Horizontal and Vertical Monitor Installation
Optimised for 3 Cameras
Largest Possible Windows
Zero Wasted Space, No Black Areas
Optimised for 2 Cameras
27% Larger Usable Space
Less Black Areas
Instant Rotate VESA Mount
Effortless Monitor Repositioning
Maximise On-set Efficiency
No Tools Needed
Monitoring Up To 4 Cams
Supports flexible single to quad screen layouts with PIP and PBP for all monitoring scenarios.
Optimised for Portrait Shooting
No rotating your screen, natively view mobile footage in full height on its horizontal display.
Teamwide Monitoring
Share the live view with your entire crew.
View on any screen from client monitors to mobile phones.
1500 nits Brightness
Uncompromising clarity for flowless daylight monitoring.
21.5 inch size for critical focus.
10-Bit Professional IPS Panel
10-bit IPS panel produces 1.07 billion colours, powered by a 22-bit Colour-Fidelity V2 Chip.
Colour Precision and Tetrahedral 3D-LUT
Precises 3D-LUT reproduction displays fine skin tone, metallic finishes and HDR footage.
Cinematic Colour, Instantly
10 Custom 3D LUTs to define your style
Preview Graded Footage On Set
Perfect Colour Matching
Apply camera LUTs to individual cameras
Achieve a consistent look among cameras
Eliminate colour grading headache in post
Clear and Intuitive Myset Menu
Customise and save window layouts to 9 Mysets, each storing 8 assistance tools.
True Anamorphic Support
Features dedicated anamorphic scaling for a distortion-free cinematic widescreen experience.
Precisely De-squeezed
Accurately de-squeezes anamorphic footage to preserve the original field of view and character.
DISPLAY
Panel Size 21.5 inch
Brightness 1500 nits
Colour Bit Depth 10 bits
Resolution 1920 x 1080
Contrast 1100:1
VIDEO I/O
Inputs 3x 3G/HD-SDI signal inputs
3x 4K@60 HDMI inputs
Outputs 1x 3G-SDI output
1x HD@60 HDMI output
OTHER I/O
USB Type-A 1x (3D-LUT upload, firmware upgrade)
USB Type-C 1x (internal colour calibration via x-rite i1 display pro)
3.5mm Mini Jack Ear phone
POWER SUPPLY
AC 100–240 V (50/60 Hz)
DC 11~17 V / 5A (XLR Pin4)
POWER CONSUMPTION
Max 60 W
VIDEO INPUT FORMAT
4K (4096 x 2160) 23.98/24/25/29.97/30/50/59.94/60P (HDMI only)
UHD (3840 x 2160) 23.98/24/25/29.97/30/50/59.94/60P (HDMI only)
2K (2048 x 1080) 23.98/24/25/50/59.94/60P
HD (1920 x 1080) 23.98/24/25/29.97/30/50/59.94/60P, 50/59.94/60i
HD (1280 x 720) 50/59.94/60P
VIDEO OUTPUT FORMAT
HD (1920 x 1080) 50/60P
3D-LUT, CAMERA LOG
3D-LUT 10 User 3D LUTs Standard
Camera Log 2.2, 2.4, HLG, PQ, ARRI Log C, BMD Film, 4KFilm, 4.6K Film, Canon C Log, C Log2, C Log3, Fuji F-LOG, Nikon N-LOG, Panasonic V-LOG, RED Log3G12, Log3G10, RedLogfilm, Sony S-Log, S-Log 2, S-Log 3, DCI 2.6
WEIGHT
Item Weight 6700 g
Shipping Weight 10400 g
1500 nits maximum brightness
Extremely sharp image rendering
100% Rec. 709 colour gamut coverage via the 10-bit panel
22-bit colour fidelity v2 chip
