Overview
Unleash your cinematic vision with the Sony FX2 and its 33MP Full Frame sensor. Capture stunning 4K up to 60P, advanced colours with 4:2:2 10-bit codecs, and over 15 stops of dynamic range. Stylize with S-Cinetone, imported LUTs, or maximize flexibility in post production with S-Log3. Real-time AI autofocus ensures your subject stays sharp, while Framing Stabilizer keeps them centred even on the move. IBIS and Active modes deliver smooth handheld shots, and a tilting monitor plus an integrated new EVF offer accurate monitoring in any light.
Built for versatility, the FX2 has an optional removable XLR handle and is equipped with a built-in cooling fan, and fast switching between stills and video. CineAlta-inspired controls, 16-bit RAW output, and Sony lens integration create a powerful, intuitive system for filmmakers who demand more.
Summary
Dynamic Range: 15+ Stops
Lens Mount: Sony E Mount
Recording Formats:
MPEG-4
XAVC HS
XAVC S
XAVC S-I
Internal ND: No
Battery Mount / Type: Sony NP-F
Media Type:
CFexpress Type A
SD
Sensor: Full Frame
Video Outputs: HDMI Type A
Weight: 0-2kg
Wi-Fi: Yes
Included in box
1x Sony FX2 – Body
1x Rechargeable Battery NP-FZ100
1x Body cap
1x Accessory shoe cap
1x Eyepiece cup
About the Sony FX2 Full-Frame Cinema Camera
Unleash your cinematic vision with the Sony FX2 and its 33MP Full Frame sensor. Capture stunning 4K up to 60P, advanced colours with 4:2:2 10-bit codecs, and over 15 stops of dynamic range. Stylize with S-Cinetone, imported LUTs, or maximize flexibility in post production with S-Log3.
Real-time AI autofocus ensures your subject stays sharp, while Framing Stabilizer keeps them centred even on the move. IBIS and Active modes deliver smooth handheld shots, and a tilting monitor plus an integrated new EVF offer accurate monitoring in any light.
Built for versatility, the FX2 has an optional removable XLR handle and is equipped with a built-in cooling fan, and fast switching between stills and video. CineAlta-inspired controls, 16-bit RAW output, and Sony lens integration create a powerful, intuitive system for filmmakers who demand more.
The gateway to cinematography
As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.
For that professional cinematic look
The FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.
Cinematic expression with a full-frame sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.
Outstanding image quality for maximum editing flexibility
The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.
Log recording modes for production flexibility
For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post production to achieve your desired cinematic look.
Multiple recording formats for versatile shooting and editing
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.
[1] Recording format [2] Shooting frame rate [3] Recording frame rate [4] When recording in XAVC HS format, 29.97p or 25p is not available.
Import up to 16 user LUTs
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for post-production.
Create moods right in the camera
Picture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.
Desqueeze display for anamorphic lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.
Frame rate freedom
An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion11 at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.
An extensive range of expressive E-mount lenses
Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.
Designed for solo shooting
Combining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
Compact and lightweight with built-in accessory mount points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.
AI-based Real-time Recognition AF
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.
Fine-tuned focus control
AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.
Automatic framing using advanced AI
The FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.
Stabilisation for dynamic handheld shooting
Active Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around21. Corresponding stabilisation metadata is embedded in the footage for efficient post production.
Stills at the flip of a switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.
Visual consistency across stills and videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.
Operability for professional filmmaking
The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.
Tiltable high-definition electronic viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.
Frequently used parameters all in one place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.
Effective heat management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording
Plenty of power for long shoots
A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.
Digital audio without degradation
With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.
Easy live streaming
The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.
CFexpress Type A memory card support
Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.
4:2:2 10-bit or 16-bit RAW output via HDMI
An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.
Monitor & Control
Sony’s Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.
Catalyst Browse, Catalyst Prepare/Plugin
The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.
General
Camera type Interchangeable lens digital camera
Lens mount E-mount
Camera Section
Type 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Number of pixels (effective)*1 Still images: Approx. 33.0 megapixels max.
Number of pixels (effective)*1 Movies: Approx. 27.6 megapixels max.
Number of pixels (total) Approx. 34.1 megapixels
Optical low pass filter Yes
Latitude 15+ stops (S-Log3)
Colour temperature range 2500 K – 9900 K
Anti-Dust function Yes
Recording system (still image)
Recording Format(Still Image) JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant),
HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
Image size (pixels) [3:2] 35mm full frame L: 7008 x 4672 (33 M),
M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
Image quality modes RAW
Image quality modes JPEG
Image quality modes HEIF (4:2:0 / 4:2:2)
Image quality modes RAW & JPEG
Image quality modes RAW & HEIF
14bit RAW Yes
Recording system (movie)
Video compression XAVC HS: MPEG-H HEVC/H.265
Video compression XAVC S: MPEG-4 AVC/H.264
Audio recording format LPCM 2ch (48 kHz 16 bit),
LPCM 2ch (48 kHz 24 bit)*2 , LPCM 4ch (48 kHz 24 bit)*2
Movie recording format (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit) (Approx.) 59.94p (150 Mbps / 75 Mbps / 45 Mbps)
23.98p (100 Mbps / 50 Mbps / 30 Mbps)
50p (150 Mbps / 75 Mbps / 45 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.) 59.94p (200 Mbps / 100 Mbps)
23.98p (100 Mbps / 50 Mbps)
50p (200 Mbps / 100 Mbps)
Movie recording format (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit) (Approx.) 59.94p (150 Mbps)
29.97p (100 Mbps / 60 Mbps)
23.98p (100 Mbps / 60 Mbps)
50p (150 Mbps)
25p (100 Mbps / 60 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.) 59.94p (200 Mbps)
29.97p (140 Mbps)
23.98p (100 Mbps)
50p (200 Mbps)
25p (140 Mbps)
Movie recording format (XAVC S HD)
1920 x 1080 (4:2:0, 8bit) (Approx.) 119.88p (100 Mbps / 60 Mbps)
59.94p (50 Mbps / 25 Mbps)
29.97p (50 Mbps / 16 Mbps)
23.98p (50 Mbps)
100p (100 Mbps / 60 Mbps)
50p (50 Mbps / 25 Mbps)
25p (50 Mbps / 16 Mbps)
1920 x 1080 (4:2:2, 10bit) (Approx.) 59.94p (50 Mbps)
29.97p (50 Mbps)
23.98p (50 Mbps)
50p (50 Mbps)
25p (50 Mbps)
Movie recording format (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit) (Approx.) 59.94p (600 Mbps)
29.97p (300 Mbps)
23.98p (240 Mbps)
50p (500 Mbps)
25p (250 Mbps)
Movie recording format (XAVC S-I DCI4K)
4096 x 2160 (4:2:2, 10bit) (Approx.) 59.94p (600 Mbps)
29.97p (300 Mbps)
23.98p (240 Mbps)
50p (500 Mbps)
25p (250 Mbps)
24.00p (240 Mbps)
Movie recording format (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit) (Approx.) 59.94p (222 Mbps)
29.97p (111 Mbps)
23.98p (89 Mbps)
50p (185 Mbps)
25p (93 Mbps)
Movie function
Slow & Quick Motion (S&Q) Yes
Proxy recording Yes
TC/UB Yes
RAW Output Yes (HDMI)
Memory card slot
Memory card slot SLOT1: Multi slot for SD (UHS-I/II compliant) memory card /
CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card
Focus System
Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus point Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
Sensitivity range EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
Recognition target (Still images) Auto
Human
Animal
Bird
Insect
Car
Train
Airplane
Recognition target (Movies) Auto
Human
Animal
Bird
Insect
Car
Train
Airplane
Other features AF Track Sens. (Still)
AF Subj. Shift Sensitivity (Movie)
AF Transition Speed (Movie)
Switch V/H AF Area
AF Area Regist.
Circ. of Focus Point
Focus Map (Movie)
AF Assist (Movie)
Exposure Control
Metering type 1200-zone evaluative metering
Metering sensitivity EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure compensation +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
ISO sensitivity Still images: ISO 100 – 51200 (expandable to ISO 50 – 204800),
AUTO (ISO 100 – 12800, selectable lower limit and upper limit)
Movies: ISO 100 – 51200 equivalent (expandable to ISO 102400),
AUTO (ISO 100 – 12800, selectable lower limit and upper limit)
Anti-flicker Shoot Yes *3
Viewfinder
Type 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Number of dots 3 686 400 dots
Magnification Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)
Diopter adjustment -4.0-+3.0 m-1
Eye point Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)
Finder frame rate selection STD 60fps / HI 120fps
LCD screen
Type 7.5 cm (3.0-type) type TFT
Touch panel Yes
Number of dots (total) 1 036 800 dots
Adjustable angle Opening Angle: Approx. 176 °,
Rotation Angle: Approx. 270 °
Clear Image Zoom
Still images Approx. 2x
Movies Approx. 1.5x (4K), Approx. 2x (HD)
Shutter
Shutter type Mechanical shutter / Electronic shutter
Shutter speed Still images (Mechanical shutter): 1/4000 to 30 s, Bulb
Still images (Electronic shutter): 1/8000 to 30 s
Movies: 1/8000 to 1 s
Flash sync. speed*4 1/160 s (35mm full frame), 1/200 s (APS-C)
Electronic Front Shutter Curtain Yes
Image Stabilization
Type Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Compensation effect (still images) Center 5.0 stops and Periphery 5.0 stops
(based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.)
Mode Still images: On / Off
Movie: Dynamic active / Active / Standard / Off
Drive
Continuous drive speed (approx., max.)*5 Hi+: 10 fps
No. of frame recordable* (approx.)*5 JPEG Extra fine L: over 1000 frames
JPEG Fine L: over 1000 frames
JPEG Standard L: over 1000 frames
RAW: over 1000 frames
RAW & JPEG: over 1000 frames
RAW (Uncompressed): over 1000 frames
RAW (Uncompressed) & JPEG: over 1000 frames
RAW (Lossless Compressed): over 1000 frames
RAW (Lossless Compressed) & JPEG: over 1000 frames
Playback
Modes Enlarged Image
Protect
Rating
Shot Mark (Movie)
Divider Frame
Crop
Photo Capture
Accessibility
Functions Screen Reader
Focus Magnifier
Focus Map (Movie)
Peaking Display
Subject Recognition in AF
Touch Focus
Touch Tracking
Touch Shutter
Touch AE
Vari-angle LCD screen
Custom function
Enlarge Screen
Interface
PC interface Mass-storage / MTP
Multi / Micro USB terminal*6 Yes
USB Type-C® Terminal Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
Wireless LAN (built-in) Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*7 *8
Bluetooth Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
HDMI output HDMI connector (Type-A)
4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160
(59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) /
1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit
Multi Interface Shoe*9 Yes (with Digital Audio Interface)
Mic Terminal Yes (3.5 mm Stereo minijack)
Headphone terminal Yes (3.5 mm Stereo minijack)
Remote Control (Wireless) Yes (Bluetooth remote control)
Functions Send to smartphone
Remote control via smartphone
Remote Shooting
USB Streaming
Video data format MJPEG
YUV420*10
Video resolution 3840 x 2160 (14.99p / 29.97p)
1920 x 1080 (29.97p / 59.94p)
1280 x 720 (29.97p)
3840 x 2160 (12.5p / 25p)
1920 x 1080 (25p / 50p)
1280 x 720 (25p)
Audio data format LPCM 2ch (16bit 48 kHz)
Network Streaming
Video data format MPEG-4 AVC/H.264
MPEG-H HEVC/H.265 *11
Video resolution 3840 x 2160 (29.97p / 59.94p)
3840 x 2160 (25p / 50p)
2560 x 1440 (29.97p / 59.94p)
2560 x 1440 (25p / 50p)
1920 x 1080 (29.97p / 59.94p)
1920 x 1080 (25p / 50p)
1280 x 720 (29.97p / 59.94p)
1280 x 720 (25p / 50p)
Audio data format AAC-LC 2ch (16bit 48 kHz)
Protocol RTMP
RTMPS
SRT
Audio
Microphone Built-in, stereo
Speaker Built-in, monaural
Lens Compensation
Lens compensation Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Power
Battery One rechargeable battery pack NP-FZ100
Still images*12 Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
Movies (actual shooting)*13 Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Movies (continuous shooting) Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)
Internal battery charge Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*14
USB power supply Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power consumption
With viewfinder Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
With LCD screen Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Weight
including Accessory Approx. 683 g (battery pack, SD card, Eyepiece cup)
With battery and memory card Approx. 679 g
With battery and memory card (oz.) Approx. 1 lb 8.0 oz
Body only Approx. 594 g
Body only (oz.) Approx. 1 lb 5.0 oz
Dimensions (W x H x D)
Dimensions (W x H x D) Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor)
Dimensions (W x H x D) (in.) Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)
Operation
Operating temperature 0 – 40 ℃ / 32 – 104 °F
Storage temperature -20 to 55 ℃ / -4 to 131 °F
Supplied Accessories
Supplied Accessory Rechargeable Battery NP-FZ100
Body cap
Accessory shoe cap
Eyepiece cup
Notes
*1 Number of effective pixels varies depending on attached lenses and camera settings.
*2 When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe.
*3 Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter].
*4 With compatible Sony external flash
*5 Varies according to shooting conditions or memory card used
*6 Supports Micro USB compatible device.
*7 (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones,
the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE)
*8 Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only.
*9 Sony accessories for the Accessory Shoe can be attached.
*10 When [Resolution] is set to [HD(720p)], [MJPEG] is only available.
*11 When [Protocol] is set to [RTMP/RTMPS], [MPEG-4 AVC/H.264] is only available.
*12 The LCD screen is turned on, shot once every 30 seconds,
flash strobe once every two times, turn power off and on once every ten times.
*13 Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.
*14 Requires USB PD (18W min.) power supply and cable (3A min.) if charging the battery pack while it is inserted into the camera.
YOUR CINEMATIC VISION WITH FULL FRAME
Capture stunning 4K video at up to 60P, delivering exceptional quality even in slow motion. The FX2 supports advanced 4:2:2 10-bit codecs and offers over 15 stops of dynamic range with S-Log 3, ensuring flexibility for post production. Or you can stylise your look while recording with Creative Looks, S-CINETONE, or MLUTs.
YOUR SUBJECT, ALWAYS IN FOCUS
Benefit from fast and reliable autofocus powered by real-time and AI-based technology. Subjects’ eyes detection capabilities include humans, animals, birds, and more, ensuring your subject remains sharp and prominent in every frame. Keep your subject centred with Framing Stabilizer even while moving.
FRAMING ON THE GO
Enjoy stable handheld shooting with in-body image stabilization (IBIS) and enhanced flexibility through Active and Dynamic Active modes. A tilting monitor and electronic viewfinder (EVF) allow for versatile framing, even under bright sunlight.
ADAPTED TO ALL SHOOTING SCENARIOS
Designed for versatility, the camera supports cage and accessory mounting, has an optional removable XLR handle for professional audio, and features a built-in cooling fan for extended shooting duration. The quick still/video/S&Q switch and dedicated log shooting mode make it easy to capture stills on set.
STEP UP YOUR FILMMAKING
Take advantage of a new, intuitive home screen interface inspired by our CineAlta camera range, along with 16-bit RAW output and anamorphic de-squeeze function for demanding professional environments.
FULL COMPATIBILITY WITH SONY SYSTEM ADVANTAGE
Enhance your creative control with breathing compensation for Sony lenses, ensuring smooth cinematic focus transitions. The Monitor & Control app adds powerful tools such as waveforms and remote operation including touch focusing, rounding out a fully integrated shooting experience.
